I'm so happy to be here!, Writers Write

Your Life Is Full of Stories. Let’s Learn to Tell Them Well.

Introducing the Storysmithing Memoir Circle

Everybody has stories.

Some are funny. Some are painful. Some are about people we loved, places we lived, mistakes we made, or moments we didn’t realize were important until years later. Some have been told around family dinner tables so many times that everyone knows the ending before we get there.

And some have never been told at all.

But there’s a difference between remembering something that happened and telling a story that brings someone else into that experience. That’s a skill. And like most skills, it can be learned, practiced, and improved.

That’s the idea behind the newest addition to my Storysmithing workshops: The Storysmithing Memoir Circle.

Learning from the Storytellers

I’ve spent a good part of my life reading writers who have a remarkable ability to turn ordinary experiences into extraordinary stories.

John Steinbeck could make a conversation with a stranger fascinating. Garrison Keillor could bring an entire community to life through the smallest details. C. S. Lewis could revisit a childhood memory and discover meaning he hadn’t recognized when he lived it. Henri Nouwen could begin with a painting and take his readers on a deeply personal journey of discovery.

Different writers. Different voices. Different approaches.

But each has something to teach us about telling our own stories.

That’s going to be part of the fun of the Memoir Circle. Each week, we’ll look at brief selections from accomplished writers, paying attention to what they do and why it works. Then we’ll try some of those techniques ourselves.

We’re not trying to write like Steinbeck or Lewis. We’re learning from them so we can become better at writing like ourselves.

Six Weeks. Six Conversations About Writing.

The Memoir Circle will be a small group of approximately five to seven writers meeting on Zoom once a week for six weeks. Each meeting will last 90 minutes.

We’ll explore six essential aspects of memoir writing:

  1. Learning to Read Like a Writer — Discovering what makes good writing work and how to offer feedback that actually helps.
  2. Finding the Story in Your Memories — Recognizing which memories have stories worth telling.
  3. Let the Reader Be There — Bringing experiences to life through scenes, dialogue, and description.
  4. Then Me. Now Me. — Exploring the difference between living an experience and looking back on it.
  5. Telling the Truth About Ourselves and Others — Writing honestly about our lives and the people who share them.
  6. Making Good Writing Better — Revising, strengthening our writing, and discovering where to go next.

There will be a little reading between meetings and a short writing assignment each week. Nothing overwhelming. I’m not assigning a book a week or expecting anyone to produce a chapter every Tuesday.

I know we’re all busy.

The idea is to learn something, try it, share what happened, and learn from one another along the way.

And we’ll have a guiding principle that serves us well in our Storysmithing Table workshops:

The writer owns the story. The reader owns the reading experience.

We’ll learn to listen to one another’s writing, talk about what works, ask thoughtful questions, and offer encouragement without trying to take over someone else’s story.

You Don’t Have to Be Writing a Book

Maybe you’ve been thinking about writing your life story. Maybe you’d like to preserve family memories for your children or grandchildren. Perhaps there’s one particular season of your life you want to capture, or a collection of experiences you’ve always thought would make good stories.

Or maybe you just enjoy writing about the things you’ve lived.

You don’t need a manuscript underway. You don’t need a publishing plan. You don’t even need to think of yourself as a writer.

You simply need some stories you’d like to tell and a willingness to learn how to tell them better.

A Small Circle. A Big Opportunity.

I’m deliberately keeping the Memoir Circle small. I want everyone to have an opportunity to participate, share their writing, and learn from the experiences of others.

The first Circle will meet weekly for six weeks, with 90-minute sessions on Zoom. The cost for the complete workshop is $199.

I’m currently gathering interested participants and working toward our first meeting. Once the group comes together, we’ll settle on a schedule that works as well as possible for everyone.

And who knows? Perhaps six weeks will be just the beginning. We may discover that we’d like to keep writing together long after our first Circle ends.

But for now, we’re starting with six weeks, a few good books, some writing exercises, and a small group of people who believe their stories are worth telling.

I think that’s a pretty good place to begin.

Interested in joining the first Storysmithing Memoir Circle? Reach out to me through the website, comment here, or send me a message. I’d love to tell you more.

Ready to register? Click here.

Your stories are worth telling. Let’s learn to tell them well.

I'm so happy to be here!

I Still Believe

“That was the best live rock-n-roll show I’ve ever seen.”

I’ll never forget my friend’s words that night. They carried extra weight; I knew he’d seen all the greats live—The Who, the Stones, Pink Floyd …

Legendary bands he hadn’t seen would have made a shorter list.

It meant even more to me because I’d invited him that night. I desperately wanted my friend—a decade older than me—to experience my music. In this case, Christian Rock; the red-headed step-child of ‘real’ rock-n-roll.

But I was confident this artist would hit home—his soulful voice, the blues-rocking groove of his band—I believed they’d win my skeptic friend over.

I was not disappointed. This performance was something I classify as ‘once-in-a-lifetime’ special. But it went nothing like I’d expected or imagined.

It was Saturday, September 10, 1988.

Russ Taff was booked for both nights of the Night of Joy Festival. It was during the final Saturday night set that his vocal strain became severe enough to require help. Greg and Rebecca Sparks were part of his band that night.

I’d never heard of Greg and Rebecca before.

After that night, I’ll never forget them.

Between the two, Greg and Rebecca covered a lion’s share of the vocals—Greg sounding very much like Russ, and Rebecca—what can I even say about her? An amazing voice; blues-singer-soulful depths to descant-soaring heights; you have to hear her to fully appreciate my loss for words. And she’s mesmerizing to watch too; in another world as she sang these gospel lyrics in wonder and awe. That vulnerability cries out to the audience like an invitation—‘Join me!’

Of course, I cannot forget why I knew this band had a shot at impressing my friend. As amazing as Russ’ voice is—one of my favorite vocalists of all time—his live band was the real draw for me.

If you know me at all, you know I love the rhythm section and bassline in rock-n-roll. I love the subwoofer! And that I especially love correcting people who see a massive subwoofer, cover the ears, and say, “It’s going to be too loud.” Beetle-eared knaves!

Say it with me: “You don’t HEAR subwoofers. You FEEL them.”

And I knew, for my friend to be impressed, he’d need to feel the low-end at this show.

Jackie Street (bass) was a fixture in Russ Taff’s live touring band during the mid-to-late 1980s. He anchored the low-end of Russ’s shows with his signature funky-bass style. Look him up. He was a legend.

Oh, and on this night, he did not disappoint. Nor did Disney’s sound-crew. They made sure all of Tomorrowland felt every low note!

[Fun fact you may not have known: Disney, for whatever reason, doesn’t allow non-Disney audio engineers to run front-of-house and monitor consoles. Guest performers’ road sound techs are only allowed to “stand by” to observe and point out musical and lighting cues, but their hands never touch the board.]

They made their way through most of the songs on Taff’s new self-titled album (which went on to be Album of the Year), I don’t really recall which other songs the played—but, on this night, two especially stood out. The first was Russ’ cover of The Call’s hit song, “I Still Believe.”

My friend recognized it right away from its radio play. The band’s performance of this song on that night was absolutely unbelievable.

I could see my friend was profoundly moved—by the powerful band performance, for sure, but more for the weight of the song’s lyrics, and the honesty with which they were sung … and embraced by the audience in that setting.

The second was an old Russ Taff standard he used to close his shows, “We Will Stand.”

This night in particular, this song seemed a most fitting close. When Russ’s voice started giving out that night, his “brothers and sisters” were standing right there with him. James, Lynn, Jackie, Greg, and Rebecca—and a theme park-full of fans—walked hand-by-hand, side-by-side, together, looking forward.

I was there. Once in a lifetime.

If you’ve ever done the closing time walk out at Disney you know—after walking a hundred miles, you wait in line for monorails, ferries, and trams—then you walk another mile.

We were thrilled to finally reach our car as 1AM approached. We were worn out. Words were few on the drive home. As I dropped my friend off, he thanked me for the invite, and said, “That was the best live rock-n-roll show I’ve ever seen.”

As a believer, I know it wasn’t a coincidence.

The day will come when we will be as one
And with a mighty voice together we will proclaim that Jesus
Jesus is King
And it will echo through the earth
It will shake the nations and the world will see
.